Play in every key. Simply put the flute up to play and open your mouth. Joachim Andersen - 18 Little studies for flute. Flute players use it all the time to make notes start and stop cleanly. / 1st x - N.V. 37. Scales Should be played in all keys, at varying tempi at with different articulations. • Start out playing this exercise forte with a great airflow (your air is your “magic carpet” that everything rides on: sound, vibrato, phrasing, articulation . Flute Lesson 8 Tonguing: how we start the sound with the tongue ADDING MORE HEADJOINT SOUNDS. even your fingers!) Begin at 75bpm or slower, and upon achieving clear tongue and attack on every single note, add 5 or 10 bpm progressively until you can play the exercise at 120bpm. 2) You will feel your tongue go against the back of your top teeth. If this problem is not remedied, the student will have trouble playing staccato styles. 33 Book 1 . Place one grain of uncooked rice on the tip of the tongue and spit the rice out. Giuseppe Gariboldi - L'Art de Preluder du flutist. Listen to Track 3 on the CD. Joachim Andersen - 26Little Caprices for flute Op. Tonguing this way will produce an unfocused tone and you will actually hear the motion of the tongue as the air begins. When you replace your tongue against your teeth the sound will stop. Nina Perlove has produced some good quality double-tonguing videos for learning the skills of multiple articulations on the flute. Guiseppe Gariboldi - 15 Modern, elegant and progressive etudes for flute. This technique is called tonguing. Advanced . See Nina Perlove's double tonguing flute videos: Part 1 Introduction to double tonguing exercises Part 2 double tonguing using both Ta-Ka, Tu-Ku, and Duh-Guh Part 3: Articulation requires AIR! 5) Do this same thing on the flute headjoint. Double Tonguing Exercises Basic Pattern 4 7 Exercise 1 6 11 16 21 26 30 34 . I always recommend a Di/dah/doh/duh (high notes to low notes respectively) articulation over a Ti/tah/toh/tuh articulation as default tongue setting. *Play with varying patterns (slur all, slur 3 tongue 1, slur 2 tongue 2, tongue all (legato and staccato), etc.) Spitting RiCe The “spitting rice” technique, developed by the Suzuki Flute Institute, will coordinate the air and tongue. Take the student outside to spit rice, using the type of rice that must be boiled. • Eventually, when your embouchure is strong, try this exercise at all dynamic levels: mf, mp, p, pp - but be sure to keep your air moving! (Ex.1) Then puff your lips together for short bursts of sound into the flute instead of tonguing. Play in every key. 4 95 101 106 112 118 123 Exercise 3 7 12 18 23 28. *Play with varying patterns (slur all, slur 3 tongue 1, slur 2 tongue 2, tongue all (legato and staccato), etc.) Rabbit exercises, taught to me by Judith Bentley, are the quickest and most miraculous way to improve your sound. Tongued Notes Track 3 First you will hear four notes on the head joint without tonguing. Ernesto Köhler - 35 Exercises for flute Op. When students can tongue properly, it is time to introduce two new headjoint sounds. Then follow four notes with tonguing. 2 38 42 46 51 56 61 Exercise 2 7 12 18 23 28 3 34 39 44 49 54 59 64 69 74 79 85 90. . 5 34 39 44 49 54 59 64 69 74 79 85 90. 4) Do it again, but with your airstream only (no voice). Every student deserves a well-playing flute. . (Ex. 139 Complete Daily Exercises For The Flute Flute Tutor Essential Practice Material For All Intermedi Author: PDF Subject: Complete Daily Exercises For The Flute Flute Tutor Essential Practice Material For All Intermedi Keywords: Download Free Complete Daily Exercises For The Flute Flute Tutor Essential Practice Material For All Intermedi Full Pdf. 3) Say TOO 3 times in a row, connected, then separated. 2) While inelegant, this exercise helps you to develop Giuseppe Gariboldi - Grand exercises for flute Op.